That she desired to ask no questions Mrs. Gereth conscientiously proved by closing her lips tight after Fleda had gone to London. No letter from Ricks arrived at West Kensington, and Fleda, with nothing to communicate that could be to the taste of either party, forbore to open a correspondence. If her heart had been less heavy she might have been amused to perceive how much rope this reticence of Ricks seemed to signify to her that she could take. She had at all events no good news for her friend save in the sense that her silence was not bad news. She was not yet in a position to write that she had "cut in;" but neither, on the other hand, had she gathered material for announcing that Mona was undisseverable from her prey. She had made no use of the pen so glorified by Mrs. Gereth to wake up the echoes of Waterbath; she had sedulously abstained from inquiring what in any quarter, far or near, was said or suggested or supposed. She only spent a matutinal penny on "The Morning Post;" she only saw, on each occasion, that that inspired sheet had as little to say about the imminence as about the abandonment of certain nuptials. It was at the same time obvious that Mrs. Gereth triumphed on these occasions much more than she trembled, and that with a few such triumphs repeated she would cease to tremble at all. What was most manifest, however, was that she had had a rare preconception of the circumstances that would have ministered, had Fleda been disposed, to the girl's cutting in. It was brought home to Fleda that these circumstances would have particularly favored intervention; she was quickly forced to do them a secret justice. One of the effects of her intimacy with Mrs. Gereth was that she had quite lost all sense of intimacy with any one else. The lady of Ricks had made a desert around her, possessing and absorbing her so utterly that other partakers had fallen away. Hadn't she been admonished, months before, that people considered they had lost her and were reconciled on the whole to the privation? Her present position in the great unconscious town defined itself as obscure: she regarded it at any rate with eyes suspicious of that lesson. She neither wrote notes nor received them; she indulged in no reminders nor knocked at any doors; she wandered vaguely in the western wilderness or cultivated shy forms of that "household art" for which she had had a respect before tasting the bitter tree of knowledge. Her only plan was to be as quiet as a mouse, and when she failed in the attempt to lose herself in the flat suburb she felt like a lonely fly crawling over a dusty chart. Mrs. Gereth drank off her second cup. "And you're not afraid now?"!

"I see," said Fleda. "Then, if you don't wait—good-bye." "The strain of what?"

"I could give up everything without a pang, I think, to a person I could trust, I could respect." The girl heard her voice tremble under the effort to show nothing but what she wanted to show, and felt the sincerity of her implication that the piety most real to her was to be on one's knees before one's high standard. "The best things here, as you know, are the things your father and I collected, things all that we worked for and waited for and suffered for. Yes," cried Mrs. Gereth, with a fine freedom of fancy, "there are things in the house that we almost starved for! They were our religion, they were our life, they were us! And now they're only me—except that they're also you, thank God, a little, you dear!" she continued, suddenly inflicting on Fleda a kiss apparently intended to knock her into position. "There isn't one of them I don't know and love—yes, as one remembers and cherishes the happiest moments of one's life. Blindfold, in the dark, with the brush of a finger, I could tell one from another. They're living things to me; they know me, they return the touch of my hand. But I could let them all go, since I have to, so strangely, to another affection, another conscience. There's a care they want, there's a sympathy that draws out their beauty. Rather than make them over to a woman ignorant and vulgar, I think I'd deface them with my own hands. Can't you see me, Fleda, and wouldn't you do it yourself?"—she appealed to her companion with glittering eyes. "I couldn't bear the thought of such a woman here—I couldn't. I don't know what she'd do; she'd be sure to invent some deviltry, if it should be only to bring in her own little belongings and horrors. The world is full of cheap gimcracks, in this awful age, and they're thrust in at one at every turn. They'd be thrust in here, on top of my treasures, my own. Who would save them for me—I ask you who would?" and she turned again to Fleda with a dry, strained smile. Her handsome, high-nosed, excited face might have been that of Don Quixote tilting at a windmill. Drawn into the eddy of this outpouring, the girl, scared and embarrassed, laughed off her exposure; but only to feel herself more passionately caught up and, as it seemed to her, thrust down the fine open mouth (it showed such perfect teeth) with which poor Owen's slow cerebration gaped. "You would, of course—only you, in all the world, because you know, you feel, as I do myself, what's good and true and pure." No severity of the moral law could have taken a higher tone in this implication of the young lady who had not the only virtue Mrs. Gereth actively esteemed. "You would replace me, you would watch over them, you would keep the place right," she austerely pursued, "and with you here—yes, with you, I believe I might rest, at last, in my grave!" She threw herself on Fleda's neck, and before Fleda, horribly shamed, could shake her off, had burst into tears which couldn't have been explained, but which might perhaps have been understood. "No. He told me nothing but the great gawk of a fact. I saw him but for three minutes." She was silent again, and Fleda, as before some lurid image of this interview, sat without speaking. "Do you wish to appear as if you don't care?" Mrs. Gereth presently demanded. She had been perfectly prepared to be surprised at Ricks, for Mrs. Gereth was a wonder-working wizard, with a command, when all was said, of good material; but the impression in wait for her on the threshold made her catch her breath and falter. Dusk had fallen when she arrived, and in the plain square hall, one of the few good features, the glow of a Venetian lamp just showed, on either wall, the richness of an admirable tapestry. This instant perception that the place had been dressed at the expense of Poynton was a shock: it was as if she had abruptly seen herself in the light of an accomplice. The next moment, folded in Mrs. Gereth's arms, her eyes were diverted; but she had already had, in a flash, the vision of the great gaps in the other house. The two tapestries, not the largest, but those most splendidly toned by time, had been on the whole its most uplifted pride. When she could really see again she was on a sofa in the drawing-room, staring with intensity at an object soon distinct as the great Italian cabinet that, at Poynton, had been in the red saloon. Without looking, she was sure the room was occupied with other objects like it, stuffed with as many as it could hold of the trophies of her friend's struggle. By this time the very fingers of her glove, resting on the seat of the sofa, had thrilled at the touch of an old velvet brocade, a wondrous texture that she could recognize, would have recognized among a thousand, without dropping her eyes on it. They stuck to the cabinet with a kind of dissimulated dread, while she painfully asked herself whether she should notice it, notice everything, or just pretend not to be affected. How could she pretend not to be affected, with the very pendants of the lustres tinkling at her and with Mrs. Gereth, beside her and staring at her even as she herself stared at the cabinet, hunching up a back like Atlas under his globe? She was appalled at this image of what Mrs. Gereth had on her shoulders. That lady was waiting and watching her, bracing herself, and preparing the same face of confession and defiance she had shown the day, at Poynton, she had been surprised in the corridor. It was farcical not to speak; and yet to exclaim, to participate, would give one a bad sense of being mixed up with a theft. This ugly word sounded, for herself, in Fleda's silence, and the very violence of it jarred her into a scared glance, as of a creature detected, to right and left. But what again the full picture most showed her was the far-away empty sockets, a scandal of nakedness in high, bare walls. She at last uttered something formal and incoherent—she didn't know what: it had no relation to either house. Then she felt Mrs. Gereth's hand once more on her arm. "I've arranged a charming room for you—it's really lovely. You'll be very happy there." This was spoken with extraordinary sweetness and with a smile that meant, "Oh, I know what you're thinking; but what does it matter when you're so loyally on my side?" It had come indeed to a question of "sides," Fleda thought, for the whole place was in battle array. In the soft lamplight, with one fine feature after another looming up into sombre richness, it defied her not to pronounce it a triumph of taste. Her passion for beauty leaped back into life; and was not what now most appealed to it a certain gorgeous audacity? Mrs. Gereth's high hand was, as mere great effect, the climax of the impression.